The only live music I’ve managed to see all year came from an unexpected place. I recently found myself on a Friday night after hours at teamLab Planets, a popular tourist spot in Tokyo, watching rock star Miyavi working on his latest “Miyavi Virtual” project. Miyavi Virtual 3.0 will be available to buy and stream later today — it’s a live performance mixing drone footage with dazzling digital art. At one point Miyavi, a bouncy, enthusiastic character with blue-green hair and a wiry frame covered in black ink wash-style tattoos, came over to me for a distanced elbow bump and asked if I was feeling sleepy. To be honest, I kind of was — it turns out that recordings for glitzy live-streaming productions can involve a lot of waiting around well past midnight. But that’s just how it goes in 2020. As the coronavirus pandemic continues to rob creators of the ability to play in front of live audiences or even record music videos in traditional studios, Miyavi and his creative teams are resorting to technology — and unusual work hours — to keep performing in front of fans. Born Takamasa Ishihara in Osaka in 1981, Miyavi is best known… Read full this story
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