Sections SEARCH Skip to content Skip to site index Art & Design Subscribe Log In Subscribe Log In Advertisement Supported by Art Review Arthur Jafa: Air Above Mountains, Unknown Pleasures NYT Critic’s Pick ByRoberta Smith May 17, 2018 Arthur Jafa is back, nearly two years after his indelible New York solo debut at Gavin Brown’s enterprise. That show helped introduce the artist, 57, and previously best known as a filmmaker and cinematographer, to the wider art world, and it consisted of one revelatory video made mostly of existing footage. A head-spinning seven-minute compilation of joy, pain and harsh fact, “Love Is the Message, the Message Is Death” encompassed the complexities of life for black Americans: the history, the horrors, the cultural achievements, the enduring sense of community. This transformative masterpiece was in many ways an uplifting slap in the face of white America. “Air Above Mountains, Unknown Pleasures,” Mr. Jafa’s second show at Gavin Brown, is altogether different — a dense orchestration of artworks, subjects and allusions. (For starters, the show’s title refers to influential musicians of different races and aesthetic genres, combining the title of an album by the free jazz pianist Cecil Taylor with one by the post-punk… Read full this story
- Arthur Jafa in Bloom
- ‘A Terrible Price’: The Deadly Racial Disparities of Covid-19 in America
- The Black Nerds Redefining the Culture
- Black Lives Drawn and Stories of Struggle Told Through Comics
- The Profound Silence of Marshawn Lynch
- Arthur Mitchell, Ballet’s ‘Grandfather of Diversity’
- Arthur Mitchell: What to Watch and Read
- A Reckoning With Race to Ensure Diversity for America’s Face Abroad
- In pandemic, drug overdose deaths soar among Black Americans
- Where Are All the Black Swans?
Arthur Jafa’s Profound Meditations on Black America have 274 words, post on www.nytimes.com at May 17, 2018. This is cached page on IT Breaking News. If you want remove this page, please contact us.